LANCIA GAMMA COUPÉ 2.5 I.E.
Beauty comes first
YEAR: 2005
The name comes from an ancient blade famous for its sharpness, capable of penetrating enemy armour. The name alone is enough to illustrate this car’s character, its capabilities and purpose. Fast, merciless, extreme; for me, one of the most beautiful cars ever made. You think I am exaggerating? On this page there is no room for moderation.
The swan song
TVR is the umpteenth British example of a great passion for cars, a love sometimes so unrestrained that it does not consider—more or less consciously—the market rules. But it is well known that history gives us extraordinary masterpieces especially when such rules are challenged.
Born in 1947 in Blackpool, it was one of the many British companies producing bespoke cars the traditional way, and always with the racecourse in mind. After Trevor Wilkinson, founder and head until 1962, came other relevant figures such as Martin Lilley and Peter Wheeler. The latter, a bold visionary who gave life to some of the most noteworthy cars in the history of TVR (Cerbera, Griffith, Tuscan, etc.), revealed the Sagaris project at the end of 2003, which was presented as a prototype at the British International Motor Show in Birmingham just a handful of months before Wheeler gave up his position in the company.
The car was born from an experiment driven by competitive needs—that is, to bring the elegant T350 (already in production) to compete in some categories of the British GT-endurance championships. Therefore, the Sagaris is actually nothing but a competition vehicle with a number plate. The design was entrusted to Graham Browne, who emphasised the concept of the previous models, which resulted in a somewhat bizarre body, especially when compared to the style of sports car in the early 2000s. In spite of the clean lines, the Sagaris showed off its many aerodynamic frills arrogantly and ostentatiously—the front splitter, the gills above the fenders, the plexiglass rear spoiler: everything stayed unchanged during serial production.
In 2004, Peter Wheeler relinquished the company to young Russian millionaire Nikolai Smolenski, who followed up with the creation of this sports car, which, as of today, represents the swan song of TVR production. Or, at least, of the cars made in Blackpool. Mr Smolenski tried to refine the product to guarantee his clients a qualitative improvement of the details and finish as well. Only very few vehicles were produced, around 200, equipped with just a 4.0 L, naturally aspirated I6, capable of putting out a little over 400 hp (406, as stated) for a car of around 1,070 kg. The Speed Six engine, developed and manufactured by TVR, completed the picture of an artisanal company that produced its own bespoke cars completely independently.
Just like with other cars equipped with the same engine, there were several mechanical issues because the Speed Six, which was built for races and had very high power density (100 hp/L in the early 2000s), needed regular upkeep and careful handling from the owner. For this and other reasons, the real engine power in different cars could vary, often to guarantee a higher reliability to the customer. In Great Britain, an extensive network of TVR workshops, constituted by real experts of the Speed Six, would perform power upgrades tailored to the customers’ needs, starting from simple electronic modifications, increase in engine size, up to true transplants using other manufacturers’ vehicles. This kept up even after 2006, when the Blackpool factory closed down, leaving behind hundreds of unemployed workers, as well as a tale of genius, folly, and a strong identity that to this day keeps aficionados from all over the world united. Lightness, power, no electronic aids, and a beauty that always starts from a blank sheet, with no regards to stylistic trends. Sagaris is the last born from this line and, even though the TVR production will probably be resumed in the coming years—under businessman Les Edgar’s leadership—this will most likely happen under a different philosophy to that which inspired the people in Blackpool.
A few specimens of this extremely sharp weapon arrived in Italy as well, with a reasonable pricing just short of 110,000.00 euros. However, aficionados aside, the local market was unable to enthusiastically welcome these odd outsiders from the other side of the Channel, too attracted to a new generation of sports cars heavily assisted by electronic gadgets (airbags, electronic controls, F1 gearbox, etc.). Additionally, TVR was a mostly unknown brand, and it reached good notoriety in Italy only thanks to the British TV show “Top Gear”, the Internet, and videogames. But this coupé’s magnetic charm conquered many fans, and today the Sagaris is a collector’s item, the legacy of an almost completely abandoned car-making philosophy.
Driving experience – Sharp
It is hard to see a Sagaris on the streets—in Italy, almost impossible. It is a disturbing feeling to experience, especially if spotted in the traffic, or parked amongst other cars. The body is compact, but in little over four metres it generates great dynamism, with its passenger compartment shifted towards the rear, the angry nose sliding forwards to rest on the sizeable splitter, or the thin, elegant rear pillar ending on the beltline. Wild and yet refined, the Sag is an explosion of unconventional details. Apart from the aforementioned gills, what stands out are the adjustable flaps on the bonnet, the single hump on the roof above the driver’s seat (to better accommodate the driver’s helmet), and the two lateral exhaust pipes just behind the rear wheels that, with the signature L-shaped lights, create a tail like no other. Lowering yourself into the seat, you will find a sophisticated, elegant interior, though there is no shortage of racing details, such as the aluminium pedals, the leather-covered roll bar, or the magnificent perforated boot hinges, the same as the spoiler supports.
Driving a Sagaris is a rite. Choosing to drive around in this car would require a number of considerations that one would tend not need with a regular sports car. The Speed Six is a race engine that has to be warmed up slowly—until then, it is advisable to drive under 2000 rpm and increase gradually. Only by following this and other small advice would the English coupé be able to achieve its full potential and provide intense excitement. In terms of driving experience, many newspapers have declared the Sagaris the best TVR car ever. I am not able to pass such a final judgement, but the feeling behind the wheel makes this car similar to an Exige (keeping in mind the evident conceptual differences), extremely satisfying in its precise and sharp performance. While it is not easy to give it a hard time, if you happen to press your right foot a little too enthusiastically, know that nothing will help you—in Blackpool only the bare essentials mattered, and the critics were told “You want an airbag? Don’t crash.”…
No ABS, zero controls: just you and the road.
“Matching colours” and “Matching numbers” – Passione Classica’s TVR Sagaris
A 15-year-long search. Initially intended for the French market and acquired by a Belgian collector passionate about the brand, this Sagaris arrived in Italy after a complete tune-up performed by a specialised workshop. The operation and maintenance handbook contains the records of every intervention, which is crucial when purchasing a TVR. Personally, during these years of searching in Europe (I also own a Tuscan,) I never considered purchasing anything with the calibre of such a car without a history of all workshop services, not even for very tempting prices. I waited a few months to obtain the certificate of origin, which proves the matching of engine and chassis (matching numbers!) and the colour (Fly Yellow). The long procedures to obtain a number plate in Italy were completed, and the Sag is now ready to be used. A wonderful object, whose value will only increase with time due to its rarity, exclusivity, and brand heritage.
Driving experience – Sharp
It is hard to see a Sagaris on the streets—in Italy, almost impossible. It is a disturbing feeling to experience, especially if spotted in the traffic, or parked amongst other cars. The body is compact, but in little over four metres it generates great dynamism, with its passenger compartment shifted towards the rear, the angry nose sliding forwards to rest on the sizeable splitter, or the thin, elegant rear pillar ending on the beltline. Wild and yet refined, the Sag is an explosion of unconventional details. Apart from the aforementioned gills, what stands out are the adjustable flaps on the bonnet, the single hump on the roof above the driver’s seat (to better accommodate the driver’s helmet), and the two lateral exhaust pipes just behind the rear wheels that, with the signature L-shaped lights, create a tail like no other. Lowering yourself into the seat, you will find a sophisticated, elegant interior, though there is no shortage of racing details, such as the aluminium pedals, the leather-covered roll bar, or the magnificent perforated boot hinges, the same as the spoiler supports.
Driving a Sagaris is a rite. Choosing to drive around in this car would require a number of considerations that one would tend not need with a regular sports car. The Speed Six is a race engine that has to be warmed up slowly—until then, it is advisable to drive under 2000 rpm and increase gradually. Only by following this and other small advice would the English coupé be able to achieve its full potential and provide intense excitement. In terms of driving experience, many newspapers have declared the Sagaris the best TVR car ever. I am not able to pass such a final judgement, but the feeling behind the wheel makes this car similar to an Exige (keeping in mind the evident conceptual differences), extremely satisfying in its precise and sharp performance. While it is not easy to give it a hard time, if you happen to press your right foot a little too enthusiastically, know that nothing will help you—in Blackpool only the bare essentials mattered, and the critics were told “You want an airbag? Don’t crash.”…
No ABS, zero controls: just you and the road.
“Matching colours” and “Matching numbers” – Passione Classica’s TVR Sagaris
A 15-year-long search. Initially intended for the French market and acquired by a Belgian collector passionate about the brand, this Sagaris arrived in Italy after a complete tune-up performed by a specialised workshop. The operation and maintenance handbook contains the records of every intervention, which is crucial when purchasing a TVR. Personally, during these years of searching in Europe (I also own a Tuscan,) I never considered purchasing anything with the calibre of such a car without a history of all workshop services, not even for very tempting prices. I waited a few months to obtain the certificate of origin, which proves the matching of engine and chassis (matching numbers!) and the colour (Fly Yellow). The long procedures to obtain a number plate in Italy were completed, and the Sag is now ready to be used. A wonderful object, whose value will only increase with time due to its rarity, exclusivity, and brand heritage.
In 2005, the most famous electropop group in history came back with one of the most appreciated singles in the genre: “Precious”. The English band, whose art has crossed four decades, are well-suited to the characteristics of the TVR Sagaris. A unique sound unconcerned about passing trends and faithful, each time in a different way, to their own music style.