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FERRARI 512 TR

The evolution of a myth

YEAR: 1994

All eyes on me
Turning on this 512 TR (so uncommon in its Modena yellow paint) and taking it for a ride means catching the eyes of all passers-by who come across this racing car, so beautiful it puts to shame even its more modern descendants. The 12-cylinder engine’s voice is deep and metallic even at low speeds—it becomes hoarse and overwhelming as the foot steps on the gas, pushing without a flash of hesitation as it accompanies the tachometer in its motion. Although the width of its rear and reduced visibility may cause quite a few problems during manoeuvres, the TR’s drivability is no less exciting for regular drivers—and it’s always easy to drive, even through a succession of tight bends or at a more leisurely pace.

In 1984, Ferrari challenged the market with the Testarossa, heir of the 512 BB: a bold design (initially judged by some as too impudent and unsuited to the importance of the marque) and a historical name for an undisputed icon of style that lived between two decades (until 1996) thanks to significant aesthetic and mechanical facelifts.
In 1992 (production started in 1991) the Ferrari 512TR was unveiled (needless to say, TR stands for Testarossa.) It seemed impossible to perfect a model that was already a cult; and yet with this masterful restyling Ferrari’s project peaked with an impeccable balance between the (basically unchanged) design of its predecessor and the technical innovation of the following 512 M—the latter deprived the Testarossa of much of its charm, what with the introduction of two fixed square units to replace the pop-up lights, and those hideous (don’t blame me) round rear lights.
The Ferrari 512TR had a new front bumper, more sinuous and modern-looking—with lights resembling the 348 TB’s—and two-toned rear lights with a more linear and aggressive appearance.
In the interior, the seats were improved and the overall space increased, for a roominess worthy of a GT.
The car body rested on new 18″ star-shaped rims.
However, the TR’s most substantial improvement was not in plain sight: the steel backbone chassis was stiffened to the benefit of drivability, and the engine, mounted in a lower position for a better weight distribution, produced 428 hp at 6750 rpm for a top speed of 314 km/h.
The result was a brand new car, rather than a mere facelift: more comfortable, more reliable, easier to drive, more powerful and elegant than the previous Testarossa.

  • SEATS: 2
  • LENGTH: 4,480 mm
  • WIDTH: 1,976 mm
  • HEIGHT: 1,135 mm
  • WHEELBASE: 2,550 mm
  • POWER OUTPUT: 428 hp
  • DECLARED TOP SPEED: 313.8 km/h
  • ACCELERATION 0–100 km/h: 4.8 s
  • ENGINE PLACEMENT: Rear, longitudinal
  • DISPLACEMENT: 4943.03 cc
  • CYLINDERS: 180° 12V
  • FUEL TYPE: Petrol
  • DRIVETRAIN: RWD
  • WEIGHT: 1,473 kg
  • REGISTRATION YEAR: 1994
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Like Ferrari: an Italian voice for international success – The soundtrack

1994 is this Ferrari’s year of registration.
The Italian singer Jenny B lent her voice to the “Corona” project for what would become the number one hit in many countries worldwide: “The Rhythm Of The Night“.

Cult
In my mind, this car is inextricably tied to the scene of a 1992 Italian film: “Ricky & Barabba”, with Christian De Sica and Renato Pozzetto.
“Ferari Testarossa, un mito, nun se batte…”. (Ferrari Testarossa, a legend, unbeatable…”)

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